Tarjama / Translation

May 10, 2009- September 27, 2009

Ayad Alkadhi, Nazgol Ansarinia, Hamdi Attia, Lara Baladi, Yto Barrada, Esra Ersen, Khaled Hafez, Emily Jacir, Pouran Jinchi, John Jurayj, Gülsün Karamustafa, Bouchra Khalili, Almagul Menlibayeva, Farhad Moshiri, Rabih Mroué, Rahraw Omarzad, Khalil Rabah, Khaled Ramadan, Michael Rakowitz, Solmaz Shahbazi, Wael Shawky, Mitra Tabrizian, Alexander Ugay, Sharif Waked, Dilek Winchester, Yelena Vorobyeva & Viktor Vorobyev, Akram Zaatari


Tarjama / Translation maps an influential subset of recent work from the Middle East and Central Asia and their diasporas as a complex and dynamic undertaking. Rather than providing a panoramic and fleeting exposure to contemporary “Middle Eastern” and “Central Asian” art, Tarjama / Translation provides focus on selected artistic processes of cultural and critical translation.

Contemporary artists are perhaps the greatest translators. Their work transforms experience, perception, and thought into acts and materials of communication by scrutinizing everything at hand--materiality, culture, society, and beliefs. In Tarjama / Translation, language and textuality remain salient, but the exhibition includes approaches of visual translation for engaging with the complexities of our present era. Tarjama / Translation addresses the work of translation as multivalent, from the specificities of textual and visual manoeuvres to the larger sense of revealing fissures of the self, community, site and temporality. It focuses on how contemporary artists negotiate the formation of history influenced by continued states of dislocation and track newer dilemmas engendered by a globalized world saturated with the hyper-commercialism of media and popular culture.

Reviews of Tarjama / Translation

New York Times
August 13, 2009
Holland Cotter"...But the shapelessness is to some degree deliberate. Why, the curators seem to ask, apart from marketing convenience, do we persist in packaging artists by their nationalities, as often as not fictional constructs, as if that were all we really needed to know about them? If the participants in this show have any single thing in common, it is something basic and broad: they all work in urban centers, some with complex historical links, in an intensively networked and interconnected world...."

Recommendations of Tarjama / Translation

Jung Lee SandersDirector, Art Projects InternationalJuly 3, 2009
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