BE THEREThe River that Flows Both WaysPresented by The High Line June 9, 2009- June 9, 2010Spencer FinchCreative Time, Friends of the High Line, and the New York City Department of Parks & Recreation are pleased to announce the inaugural art commission by Spencer Finch for the opening of the first section of the High Line as a public park on June 9, 2009. Section 1 of the High Line, the first to open to the public, stretches from Gansevoort to 20th Street. Finch’s project, commissioned by Creative Time for the Friends of the High Line, is installed in a semi-enclosed former loading dock attached to the Chelsea Market between 15th and 16th Streets. The project will remain on view until 2010. THE PROJECT Inspired by the light and the water of the Hudson River, The River that Flows Both Ways will transform an existing series of windows with 700 individually crafted panes of glass representing the water conditions on the Hudson River over a period of 700 minutes on a single day. The work links the movement of the river, viewable from the site, with the historic movement of the railway and the atmospheric conditions of its location on Manhattan’s West Side. The piece, with its varied levels of color, translucency, and reflectivity, addresses the impossible search for the color of water. The title of this work comes from the original Native American word for the Hudson River, Muhheakantuck, which means “the river that flows both ways.” This flow in two directions is analogous to the way both water and glass work optically, as both windows and mirrors, allowing a view into depth as well as a reflection of the surrounding environment. To create the colors of the glass, Finch fastened a camera to the railing of a tugboat, and used an intervelometer to photograph the Hudson River 700 times, once a minute for 700 minutes. The boat began the trip at the 79th Street Boat Basin and floated upriver with the current to 120th Street, reversed direction with the tide and traveled down to New York Harbor, and lastly back upriver. The boat flowed naturally with the river in both directions, rather than relying on its engines to propel it. After recording the same moment in 700 different points in space and time, Finch carefully selected the exact color of a single point of each photograph to produce a uniquely printed film to be laminated into glass. The glass is organized to correspond with the pictures chronologically, starting from the top left (if one’s back is to the Chelsea market). The “minutes” progress to the right for 70 panes, and continue from left to right on the next row down. “This project is deeply connected to the values of Creative Time,” said the organization’s president and artistic director Anne Pasternak, “including the transformation of public space, a critical engagement of site, and an interconnectedness with residents’ and visitors’ experience of place.” “Ever since Joel Sternfeld first photographed the High Line’s overgrown landscape, art has been an essential and vibrant part of this project,” said Robert Hammond, Co- Founder of Friends of the High Line. “At once rhythmic and unpredictable, Spencer’s piece responds adeptly to the central juxtaposition of the High Line– the interplay between the ex-industrial built environment and the High Line’s living landscape.” “In addition to being one of the most exciting park projects in generations, the High Line will also be one of the city’s best outdoor art museums,” said Parks & Recreation Commissioner Adrian Benepe. “Spencer Finch’s The River that Flows Both Ways is a wonderful way to connect the opening of the park to the 400th anniversary of Henry Hudson’s voyage to New York. I would like to thank Creative Time and the Friends of the High Line for bringing this exciting exhibition to the High Line.” “The Rockefeller Foundation is delighted to support Spencer Finch’s extraordinary expression of New York City’s environment,” said Judith Rodin, the Foundation’s president. “We fervently believe that there is a connection between creative innovation and the City’s cultural future. By working with Creative Time, The Friends of the High Line, and New York City, the Foundation is proud to help strengthen both.” Spencer Finch will be included in the 53rd Venice Biennale, in the Arsenale this summer. This is his first major public project in New York City. Recommendations of The River that Flows Both Ways
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