Sturtevant

Elaine Sturtevant (83 years old, born 1926)
Artwork
STURTEVANT
Winning Bid: $12,000

Phillips De Pury Contemporary Art Part II
New York, May 15, 2009
Lot: 174

Warhol Flowers

Synthetic polymer silkscreen on paper. 50 3/4 x 50 3/4 in. (128.9 x 128.9 cm). 
Artwork
STURTEVANT
Winning Bid: $27,000

Sotheby's Contemporary Art Day
New York, May 13, 2009
Lot: 165

Stella Tomlinson Court Park (F...

44 by 56 1/4 in. 111.8 by 142.9 cm.
black enamel on canvas
Artwork
STURTEVANT
Winning Bid: £12,000

Christie's Post-War And Contemporary Art Day
London, February 12, 2009
Lot: 164

Study for Rosenquist's Spaghet... (1965)
oil on canvas
40 x 40in. (101.6 x 101.6cm.)
Artwork
STURTEVANT


Sotheby's Contemporary Art Day
New York, May 15, 2008
Lot: 574

Johns Black Figure Five

encaustic and collage on canvas
Artwork
STURTEVANT
Winning Bid: $340,000

Christie's Post-War And Contemporary Art Afternoon
New York, May 14, 2008
Lot: 438

Warhol Marilyn


Artwork
STURTEVANT


Christie's Post-War And Contemporary Art Afternoon
New York, May 14, 2008
Lot: 439

Study for Rosenquist's Spaghet...


Artwork
STURTEVANT
Winning Bid: $90,000

Christie's Post-War And Contemporary Art Afternoon
New York, May 14, 2008
Lot: 442

Warhol Flowers


Artwork
Artwork
STURTEVANT
Winning Bid: £30,000

Christie's Post War and Contemporary Art Afternoon Sale
London, King Street, February 7, 2008
Lot: 421

Study for Warhol Flowers (1970)
synthetic polymer and silkscreen ink on canvas
22 x 22 in. (56 x 56 cm.)

Artwork
STURTEVANT
Winning Bid: $190,000

Sotheby's Contemporary Art
New York, November 15, 2007
Lot: 491

Lichtenstein Hot Dog

Canvas, Acrylic, Oil
Artwork
STURTEVANT
Winning Bid: $200,000

Christie's Post War and Contemporary Art Afternoon Session
New York, November 14, 2007
Lot: 301

Warhol Flowers (1969)
synthetic polymer and silkscreen ink on canvas
22 x 22 in. (56 x 56 cm.)

Artwork
STURTEVANT
Winning Bid: $180,000

Christie's Post War and Contemporary Art Afternoon Session
New York, November 14, 2007
Lot: 302

Johns Target (1st Study) (1986)
encaustic and printed paper collage on canvas
14¾ x 15¾ in. (37.5 x 40 cm.)

Artwork
STURTEVANT
Winning Bid: $175,000

Phillips De Pury Contemporary Art Part I
New York, May 17, 2007
Lot: 52

Johns Green Target
1986 - 1987

Artwork
STURTEVANT
Winning Bid: $19,000

Phillips De Pury Under the Influence
New York, February 27, 2007
Lot: 153

Study for Stella Getty Tomb (2... (1989)

Galleries showing Sturtevant

London
Anthony Reynolds Gallery
München
Galerie Daniel Blau

Group Shows with Sturtevant

The Collectors (1) at Biennale di VeneziaJun 7, 2009-Nov 22, 2009
The Collectors (2) at Biennale di VeneziaJun 7, 2009-Nov 22, 2009
From The Archives: 40 Years / 40 Projects at White ColumnsJan 13, 2009-Feb 28, 2009
An exhibition celebrating the forty year history of White Columns and 112 Greene Street / 112 Workshop inc. Documentation and works relating to exhibitions and projects by: MARJORIE STRIDER, GORDON MATTA-CLARK, ALAN SARET, ALICE AYCOCK, WILLOUGHB...
Good Morning, Midnight at Casey KaplanJun 22, 2007-Jul 31, 2007
Curated by Bruce Hainley Oh God how I hate penny in the slot thoughts and actions, and oh God what terrible harm they cause. If I live I will call my next and last book There is no penny and no slot and if you pinch that title or variations I’ll ...
On Second Thought at Perry Rubenstein GalleryJun 30, 2006-Aug 12, 2006
Perry Rubenstein Gallery is pleased to present On Second Thought, an exhibition of multimedia works by John Baldessari, Mike Kelley & Paul McCarthy, Jeff Koons, Sherrie Levine, Adam Pendleton, Sturtevant, and Meyer Vaisman. By exploring the complexit...

Exhibitions

Whitney Biennial 2006Posted: 2007-05-15
All Artists in Whitney Biennial 2006
Day for Night

More Information

Posted: 2007-03-01
Sturtevant has achieved recognition for her works that consist entirely of copies of other artists' works.

In all cases, her decision to start copying an artist happened before those artists achieved broader recognition. Nearly all of the artists she chose to copy are today considered iconic for their time or style. This has given rise to discussions amongst art critics how it has been possible for Sturtevant to identify these now famous artists at such an early stage.

[From Wikipedia]




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